Very happy to see this project for a new co-edited volume off the ground. Pauline Goul and myself, inspired by the fabulous work of Louisa Mackenzie, are putting this new volume together. We already have a pretty fabulous list of participants, but want to make sure that we don't miss anything. If you're up for it, please send us a proposal.
Reposting the CFP put on Fabula.org:
What Can the French Renaissance Do For Ecocriticism?
Editors Pauline Goul and Phillip John Usher
The present volume seeks to offer a set of answers to the question raised by its title, “What Can the French Renaissance Do For Ecocriticism?”
All too often, theory in general--and ecocriticism in particular--are said to serve as “lenses” through which we can understand (early modern) literature. All too often, contemporary thought models are “applied” to (early modern) literature, as if true lay only in the contemporary. This volume’s purpose is to envision a back-and-forth, to allow (early modern French) literature to interrogate, to nuance, to provoke, contemporary ecological theory. Our volume’s title owes it concise formulation to Louisa Mackenzie, who first identified that question as pertinent at the Vancouver MLA conference in January 2015. Mackenzie, a scholar at the cutting edge of French Renaissance Studies in the United States, suggested that we should not be asking what ecocriticism can “do” for our readings of the early modern period, but precisely the opposite. Indeed, turning back to 16th century France means shifting to an intellectual context in which key concepts—nature/culture, geology, Deep Time, etc.—were thought in ways uncannily similar to contemporary thought, precisely because certain disciplinary “splits” and intellectual conceptualization had not yet happened, precisely because certain disciplines (e.g. geology) were nascent, but not born. This volume seeks to take seriously Mackenzie’s question and to offer a set of responses. Each chapter of the volume will take up a specific concept or idea of contemporary ecocriticism, in order to question it and refine it.
Possible concepts/ideas to address include:
-Chakrabarty’s idea of putting Deep Time in dialogue with the human time of history
-Morton’s Dark Ecology
-the nonhuman and objects, Morton’s hyperobjects, Jane Bennett’s Vibrant Matter
-inter-relatedness and the mesh
-logocentrism / anthropocentrism
-the Anthropocene in 1600
Another reason this volume is so urgent is that it will offer a much needed response to the anglocentrism of much ecocriticism, denounced by Tim Morton in his guest column in PMLA on a “Queer Ecology”, and yet made especially clear of late (in 2016) when the MLA’s new forum on "Ecocriticism and the Environmental Humanities,” whose executive committee is made up of Sharon O’Dair, Stacy Alaimo, Jeffrey Jerome Cohen, and Stephanie LeMenager, all professors of English, defined ecocriticism as "a scholarly practice within English Studies." Jeff Persel’s fabulous edited volume The Environment in French and Francophone Literature (FLS, vol 39, 2012), makes it evidently clear that ecocrticism is not, of course, limited in such a way to English departments! A related problem is that, even when considered as anglo-centric, ecocriticism as a discipline seems to be formulated mostly by voices that either look at post-1800 sources or at medieval ones. There is thus a gaping lack of any early modern point of view, which, especially with the possible starting date of the Anthropocene in 1600, leaves much to be done. This volume will thus assert and demonstrate the need for ecocriticism and ecological thought to take up and respond to non-English materials from the early modern period. In the words of Louisa Mackenzie in her article in the French Literature Series’s ‘Environment’ issue (2012), “It’s a good time to think about an early modern, a French, a queer ecology.”
The book will be in English, and the submission of chapters is set for May 30, 2017.
Please submit a title, 300-word abstract, and a short CV to Pauline Goul (firstname.lastname@example.org) and Phillip John Usher (email@example.com) by June 20, 2016.
USB-JFK took too long, but allowed for some reading and thinking about talking with animals, via (a) a re-viewing of Herzog's fabulous Grizzly Man about Timothy Treadwell and (b) discovery of the Interactive Fiction Lost Pig (playable here), in which the player becomes an orc (i.e. a humanoid akin to a goblin) who searches for a pig that has escaped from a pig farm. I won't elaborate here, especially as I haven't got far into Lost Pig, but there are many interesting questions that the two works raise about the question of, and limits to, talking with non-human animals, imagining the non-human animal, etc:: Treadwell's longing for communion vs. Herzog's "that bear's blank stare expresses only hunger" vs. chasing an escaped pig vs. the estrangement of being an "orc" (not-quite human), etc. Leading the way in thinking about human-non-human connections in the context of French early modern is Louisa Mackenzie (Washington U. eg. this on Guillaume Rondelet and Bruno Latour). For further reflection.
Project THE HUMANIST anthropocene
is a thought archive and workspace of Phillip John Usher (NYU) at the crossroads of early modern humanism and the problems and insights of the Anthropocene. Main Research Page.
ASLE (Association for the Study of Literature and the Environment)
Environmental Humanities (journal)
Resilience (A Journal of the Environmental Humanities)
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